Mehmet Akif Ersoy’u Anma Günü ve İstiklal Marşımız’ın Kabulünün 93.yılı

mehmet akif ersoy11

Mehmet Akif Ersoy’u Anma Günü ve İstiklal Marşımız’ın Kabulünün 93.yılı Kutlu Olsun!

İstiqlal Marşı – Türkiyə Respublikası və Şimali Kipr Türk Respublikasının dövlət himni. Sözlərinin müəllifi Mehmet Akif Ərsoy, musiqisi isə Osman Zəki Üngörə məxsusdur.


The İstiklâl marşı (English: Independence hymn) is the national anthem of Turkey and Turkish Republic of Northern Cyprus, officially adopted on 12 March 1921 – two and a half years before the 29 October 1923 establishment of the Republic of Turkey, both as a motivational musical saga for the troops fighting in the Turkish War of Independence, and as an anthem for a Republic that was yet to be established.
Penned by Mehmet Âkif Ersoy, ultimately composed by Osman Zeki Üngör, the theme is one of affection for the Turkish homeland, freedom, and faith, of sacrifice for liberty, and of hope and devotion, explored through visual, tactile and kinesthetic imagery as they relate to the flag, the human spirit and the soil of the homeland.
The manuscript by Ersoy, between the title line İstiklal Marşı and the first text line, carries the dedication Kahraman Ordumuza – “To our Heroic Army”, the army that won the Independence War. The lyrics reflect on the sacrifice of the soldiers during the War.
The Anthem is regularly heard during state and military events, as well as during national festivals, bayrams, sporting events, and school ceremonies.
Of the ten-stanza anthem, only the first two quatrains are typically sung. A framed version of the national anthem typically occupies the wall above the blackboard in the classrooms of every public – as well as almost every private – school in Turkey (accompanied by a Turkish flag, a photograph of the country’s founding father Atatürk, and a copy of Atatürk’s famous inspirational speech to the nation’s youth).
The anthem was the subject of a brief copyright dispute in 2010, when GEMA, the German music copyright society, attempted to collect royalties on the anthem. The composition has also been adopted as the National Anthem of the Turkish Republic of Northern Cyprus.

L’İstiklâl Marşı (Marche de l’Indépendance) est l’hymne national de la République de Turquie. Elle fut rédigée par Mehmet Akif Ersoy et adoptée officiellement le 12 mars 1921.
Alors que la Guerre d’Indépendance se poursuivait, la Grande assemblée nationale de Turquie a organisé un concours pour désigner un hymne patriotique dans le but de relever le moral de la population. 724 poèmes furent présentés pour le concours. L’œuvre du compositeur Ali Rıfat Çağatay fut utilisée pour l’hymne jusqu’en 1930. À cette date la composition de Osman Zeki Üngör fut adoptée. Seules les deux premières strophes sont chantées.
İstiklal Marşı est aussi l’hymne national de la République turque de Chypre du Nord depuis 1983.

Mehmet Akif Ersoy – Turkish Independence hymn

Fear not, the crimson banner that proudly ripples in this glorious dawn, shall not fade,
Before the last fiery hearth that is ablaze within my homeland is extinguished.
For that is the star of my people, and it will forever shine;
It is mine; and solely belongs to my valiant nation.

Frown not, I beseech you, oh thou coy crescent,
Smile upon my heroic nation!1 Why the anger, why the rage?2
Our blood which we shed for you might not be worthy otherwise;
For freedom is the absolute right of my God-worshipping nation.3

I have been free since the beginning and forever shall be so.
What madman shall put me in chains! I defy the very idea!
I’m like the roaring flood; trampling and overflowing my dyke (weir),
I’ll tear apart the mountains, fill up the open seas4 and still gush out!

The land is surrounded by the West and armoured with walls of steel,
But I have borders guarded by the mighty chest of a believer.
Let it howl, do not be afraid! And think: how can this fiery faith ever be killed,
By that battered, single-fanged monster you call “civilization”?5

My friend! Leave not my homeland to the hands of villainous men!
Render your chest as armour and your body as trench! Stop this disgraceful rush!
For soon shall come the joyous days of divine promise…
Who knows? Perhaps tomorrow? Perhaps even sooner!

View not the soil you tread on as mere earth – recognize it!
And think about the shroudless thousands who lie so nobly beneath you.
You’re the noble son of a martyr, take shame, hurt not your ancestor!
Unhand not, even when you’re promised worlds, this paradise of a homeland.

What man would not die for this heavenly piece of land?
Martyrs would gush out should one simply squeeze the soil! Martyrs!
May God take my life, all my loved ones and possessions from me if He will,
But may He not deprive me of my one true homeland for the world.

Oh glorious God, the sole wish of my pain-stricken heart is that,
No heathen’s hand should ever touch the bosom of my sacred Temples.
These adhans, whose shahadahs are the foundations of my religion,
May their noble sound last loud and wide over my eternal homeland.

For only then, shall my fatigued tombstone, if there is one, prostrate6 a thousand times in ecstasy,
And tears of fiery blood shall flow out of my every wound,
And my lifeless body shall gush out from the earth like an eternal spirit,
Perhaps only then, shall I peacefully ascend and at long last reach the heavens.

So ripple and wave like the bright dawning sky, oh thou glorious crescent,
So that our every last drop of blood may finally be blessed and worthy!
Neither you nor my race1 shall ever be extinguished!
For freedom is the absolute right of my ever-free flag;
For independence is the absolute right of my God-worshipping nation!

1 Although “ırk” means “race” in contemporary Turkish, it had different associations in Ottoman Turkish. In Ottoman Turkish it also carries the connotations of ‘generation,’ ‘offspring’ and ‘family linage.'[7] Also note that the poet was of Albanian and Uzbek origin.[8]
2 A white crescent and star superimposed on a crimson background comprise the Turkish flag- the poet is invoking the image of the crescent and comparing it to the frowning eyebrows of a sulky face. The flag (and the spirit of freedom which it embodies, under threat from invading nations against whom victory initially seems impossibly difficult to achieve, hence “coy”) is being treated as a coy maiden with a sulky face (symbolically, the resentment of the invasion) who is playing hard-to-get. That is, the “coy” flag is being “playful” about letting the troops achieve ultimate victory and thus, freedom.
3 This is actually a wordplay on the words hak (right) and Hakk (al-Haqq,truth,God).
4 A Turkish poetical word (with no direct English translation) that may refer to anything perceived by Man as a boundless expanse: the heavens, the oceans, the horizon, the Universe, etc.
5 What is being referred to as “civilization” is the invading European nations (France, Britain, Italy and Greece) and their armies, which were superior in terms of equipment and manpower to the war-stricken, undermanned, and underfed Turkish forces that were hastily assembled by patriotic civilians and ex-military officials following World War I. This tight collaboration between civilians and former armed officials was due to the Ottoman Imperial Court’s internal corruptions and the presence of individuals in power who preferred to protect their own interests rather than the interests of the greater public. (see Sultan Vahdeddin and Damat Ferid Pasha) This self-preserving behavior manifested itself as political inaction, an openness to foreign manipulation, treacherous collaborationism and the much-protested acceptance of an unjust treaty – actions that ultimately resulted in a hurt national pride, widespread feelings of resentment and humiliation, as well as the anarchic dissolution of the Empire. It was at such a grim point in time that a defiant new organization of armed and civil forces, led by Atatürk, gave the people hope for the future through a series of successful battles and liberation campaigns, which gradually turned into an increasingly successful War of Independence.
Thus, the poet is calling out to the Nation, saying, as it were, “While ‘the lands of the West may be armed with walls of steel’, i.e., while these European armies may have seemingly impenetrable/unbeatable modern technology and weaponry, do not be fooled/discouraged by their apparent superiority. Look at what we have accomplished so far with virtually non-existent arms and supplies! We are horribly fatigued, and at a disadvantage in every conceivable way, yet we still are able to succeed in our battle for liberty! This seemingly undefeatable ‘monster’ has had almost every one of its teeth knocked out (hence, ‘single-fanged’) by our victorious campaign! Our motivation, faith, and internal drive is what has and will continue to carry us through, and that is something that our enemies cannot remotely match. All we need for ultimate victory is the ability to recognize our true ‘innate strengths’: a ‘fiery faith’ and the ‘mighty chest (i.e. heart) of a believer'”.
6 Prostration is the act of laying one’s forehead on the ground as part of Muslim sacred ritual (see Namaz, As-Sajda or salat). The image being painted here is that of a battle-fallen and pain-stricken man, who becomes ecstatic following the victorious end of the War of Independence. This is a man whose mind, body and soul have at long last found peace, and may finally ascend and reach the heavens, knowing that his homeland is finally safe and sound and that all his suffering was all worth it in the end.


İstiklal Marşı

Korkma, sönmez bu şafaklarda yüzen al sancak;
Sönmeden yurdumun üstünde tüten en son ocak.
O benim milletimin yıldızıdır, parlayacak;
O benimdir, o benim milletimindir ancak.

Çatma, kurban olayım çehreni ey nazlı hilâl!
Kahraman ırkıma bir gül! Ne bu şiddet bu celâl?
Sana olmaz dökülen kanlarımız sonra helâl,
Hakkıdır, Hakk’a tapan, milletimin istiklâl!

Ben ezelden beridir hür yaşadım, hür yaşarım.
Hangi çılgın bana zincir vuracakmış? Şaşarım!
Kükremiş sel gibiyim, bendimi çiğner aşarım;
Yırtarım dağları, enginlere sığmam, taşarım.

Garbın âfakını sarmışsa çelik zırhlı duvar,
Benim iman dolu göğsüm gibi serhaddim var.
Ulusun, korkma! Nasıl böyle bir imanı boğar,
“Medeniyet!” dediğin tek dişi kalmış canavar?

Arkadaş! Yurduma alçakları uğratma sakın!
Siper et gövdeni, dursun bu hayasızca akın.
Doğacaktır sana vaadettiği günler Hakk’ın;
Kim bilir? Belki yarın? Belki yarından da yakın!

Bastığın yerleri “toprak” diyerek geçme, tanı!
Düşün, altındaki binlerce kefensiz yatanı!
Sen şehit oğlusun, incitme, yazıktır atanı;
Verme, dünyaları alsan da bu cennet vatanı.

Kim bu cennet vatanın uğruna olmaz ki fedâ?
Şüheda fışkıracak toprağı sıksan, şühedâ!
Canı, cananı, bütün varımı alsın da Hüdâ,
Etmesin tek vatanımdan beni dünyada cüdâ.

Rûhumun senden, ilâhi, şudur ancak emeli;
Değmesin mabedimin göğsüne na-mahrem eli!
Bu ezanlar ki şahadetleri dinin temeli,
Ebedi yurdumun üstünde benim inlemeli.

O zaman vecd ile bin secde eder varsa taşım;
Her cerihamdan, ilâhi, boşanıp kanlı yaşım,
Fışkırır rûh-i mücerret gibi yerden nâşım;
O zaman yükselerek arşa değer belki başım!

Dalgalan sen de şafaklar gibi ey şanlı hilâl;
Olsun artık dökülen kanlarımın hepsi helâl!
Ebediyyen sana yok, ırkıma yok izmihlâl.
Hakkıdır, hür yaşamış bayrağımın hürriyet;
Hakkıdır, Hakk’a tapan milletimin istiklâl!

İstiqlal Marşı

Qorxma, sönməz bu şəfəqlərdə üzən al bayraq;
Sönmədən yurdumun üstündə yanan ən son ocaq.
O mənim millətimin ulduzudur, parlayacaq;
O mənimdir, o mənim millətimindir ancaq.

Çatma qurbanın olum, çöhrəni ey nazlı hilal!
Qəhrəman xalqıma bir gül! Nə bu şiddət, bu cəlal?
Sənə olmaz tökülən qanlarımız sonra halal…
Haqqıdır, haqqa tapan, millətimin istiqlal!

Mən əzəldən bəridir hür yaşadım, hür yaşarım.
Hansı çılğın mənə zəncir vuracaqmış, şaşarım!
Kükrəmiş sel kimiyəm, bəndimi çeynər, aşarım.
Yırtaram dağları, ənginlərə sığmam, daşarım.

Qərbin afaqın sarmışsa polad zirehli divar,
Mənim iman dolu köksüm kimi sərhəddim var.
Ulasın, qorxma! Necə belə bir imanı boğar,
Mədəniyyət dediyin tək dişi qalmış əjdaha?

Dostum! Yurduma alçaqları uğratma saqın.
Sipər et sinəni, dursun bu həyasızca axın.
Doğacaqdır sənə vəd etdiyi günlər Haqqın…
Kim bilir, bəlkə sabah, bəlkə sabahdan da yaxın.

Bastığın yerlərə “torpaq” deyərək keçmə, tanı:
Düşün altında minlərcə kəfənsiz yatanı.
Sən şəhid oğlusan, incitmə, yazıqdır atanı:
Vermə, dünyaları alsan da, bu cənnət vətəni.

Kim bu cənnət vətənin uğrunda olmaz ki fəda?
Şühəda fışqıracaq torpağı sıxsan, şühəda!
Canı, cananı, bütün varımı alsın bu xuda,
Etməsin tək vətənimdən məni dünyada cüda*.

Ruhumun səndən, ilahi, budur ancaq diləyi:
Dəyməsin məbədimin köksünə naməhrəm əli.
Bu azanlar ki, şəhadətləri dinin təməli,
Əbədi yurdumun üstündə mənim inləməli.

O zaman vəcd ilə min səcdə edər varsa daşım,
Hər cerihəmdan, ilahi, quruyub qanlı yaşım,
Fışqırır ruhi mücərrəd kimi yerdən nəşim;
O zaman yüksələrək ərşə dəyər bəlkə başım.

Dalğalan sən də şəfəqlər kimi ey şanlı hilal!
Olsun artıq tökülən qanlarımın hamsı halal.
Əbədiyyən sənə yox, xalqıma yox bil ki, zaval:
Haqqıdır, hür yaşamış, bayrağımın hürriyyət;
Haqqıdır, Haqqa tapan, millətimin istiqlal!


Marche de l’Indépendance

N’aie crainte, ce drapeau carmin flottant aux premières lueurs de l’aube ne s’éteindra jamais
Tant que la dernière cheminée de ma patrie ne s’éteindra
Il représente l’étoile de ma nation, qui scintillera
Il m’appartient, il n’appartient qu’à ma nation.

Ô croissant chéri, ne t’emporte pas, je peux donner ma vie pour toi.
Souris enfin à ma race ! Pourquoi cette violence cette rage
(Si tel est le cas) tu n’auras pas été digne de tout le sang qui a coulé pour toi
Liberté à mon peuple! méritante et croyant au Droit

Depuis toujours, j’ai vécu libre, et je vivrai libre
Je serais surpris si un fou voulait m’enchaîner.
Je suis comme un torrent rugissant, je franchis mes obstacles en les anéantissant
Je briserais les montagnes, je sortirais de mon lit, je déborderais.

Même si le monde occidental encercle mes fortifications
Mes frontières sont aussi solides que ma foi et ma fierté
Tu es forte, n’aie crainte ! Comment une telle foi pourrait-elle être étouffée
Par ce monstre édenté que tu appelles la « civilisation » ?

Camarade! Ne laisse surtout pas les infâmes entrer dans mon pays
Fais barrière de ton corps, qu’on arrête cette invasion honteuse
L’Éternel va te faire revenir aux beaux jours qu’il t’a promis
Qui sait ? Peut-être demain ? Peut-être encore avant ?

Ne considère pas là où tu marches comme de la simple « terre », apprends à la connaître
Pense au nombre de personnes qui y ont laissé leur vie
Ton père était un martyr, n’abîme pas sa triste mémoire
Même pour tout l’or du monde, ne cède pas ta patrie chérie.

Qui ne donnerait pas sa vie pour cette patrie chérie ?
Si tu presses cette terre, il va en jaillir des martyrs, oui des martyrs !
Que Dieu prenne ma vie, mon amour, tout ce que je suis,
Tant qu’il ne me sépare pas de ma patrie.

Mon esprit est avec toi, c’est cela ta divinité, ton seul but
Que ces mains étrangères ne s’approchent pas de notre temple
Ces prières aux martyrs qui sont à la base de la religion
Doivent pour toujours me pleurer dans mon pays.

Alors s’il y en a qui peuvent s’abandonner [pour leur nation] j’exalterai
De chacune de mes blessures, divinement, mon sang se vidant
Jaillira de mon lieu de naissance comme un esprit unique
Alors, ma tête s’élèvera peut-être jusqu’aux cieux

Agite-toi comme les premières aubes, ô lune sacrée
Peu importe, il est béni, mon sang qui a coulé
Vous ne tomberez jamais, toi et ma race
Vous la méritez, la souveraineté de ce drapeau qui a vécu la liberté
Vous la méritez, l’indépendance de ma nation qui a foi en en Dieu

Note : Dans la traduction française, certains mots sont des ajouts. La présence du nom « Dieu » dans le texte est le témoin de la laïcité naissante à la date où l’hymne a été adopté.


About Çetin Bayramoğlu

Şairim , insanım.
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